Tavaziva Dance performed in Belgium at the Pole Pole Festival in Antwerp to public acclaim.
October - December
Tavaziva Dance undertakes its first National Tour of Kumusha - I am Home


2005

April
Tavaziva Dance received Regular Funded Organisation status from Arts Council England for three years from April 2005 to March 2008.
July
Premiere of Worlds Apart
October - December
Tavaziva Dance undertakes a National Tour of Bawren's new production Soul Inspired


2006

February - May
Spring Tour of Soul Inspired
September - November
Autumn Tour of Bophelo


2007

January
The company performed a ten minute extract of Mandla at the International Association of Blacks in Dance (IABD) Annual Conference 2007 in Toronto, Canada.
http://www.danceimmersion.ca

Umdlalo kaSisi performed by Ballet Black at Royal Opera House, Linbury Studio Theatre, London
February - April
Spring Tour of Bophelo
May
Performances and workshops at HIFA
Harare International Festival of the Arts
July - September
Bawren choreographed for Influx Dance, Wycombe Swan Dance Project and Sampad's national touring production Motherland
October
Autumn Tour of Chatsva
November
Company exchange residency with Dance Immersion/COBA in Toronto, Canada


2008

January
Bawren teaching Dance Intense residency in Calcutta, India
February - March
Spring Tour of Chatsva
Performance Schedule
May
Swindon UK premiere of new collaborative work with Dance Immersion/COBA (Toronto)


photo of Amanda Lewis performing in Makwikwi. Click to enlarge. photo of Tavaziva Dance performing in Makwikwi. Click to enlarge. photo of Tavaziva Dance performing in Pachedu. Click to enlarge. photo of Tavaziva Dance performing in Mandla. Click to enlarge. photo of Nicholas Watson performing in Makwikwi. Click to enlarge. photo of Tavaziva Dance performing in Mandla. Click to enlarge. photo of Tavaziva Dance performing in Pachedu. Click to enlarge. photo of Tavaziva Dance performing Mr Man. Click to enlarge. photo of Tavaziva Dance performing in Pachedu. Click to enlarge. photo of Tavaziva Dance performing in Pachedu. Click to enlarge.


Autumn Tour 2007 & Spring 2008


Chatsva
(Explosion)

Tavaziva Dance's   six outstanding dancers explode onto stages across the UK this autumn and spring 2008 with typical high octane performances.

'Chatsva'   continues to explore African dance traditions within a Western contemporary style to music ranging from Zimbabwean choral to the cello compositions of Sophie Rivlin.

Bawren Tavaziva  presents the dancers in contrasting moods, from lighthearted, exuberant contest  (Makwikwi)  to a powerful new solo  (Mr Man)  inspired by the poet Coleridge's impassioned public outburst against the evils of slavery. The determination of the persecuted to affirm identity and belief is brought out in  Pachedu.

Completing the programme, Thea Nerissa Barnes stages  Last Word , her wittily engaging duet for two dancers... and a chair.

Costumes for 'Chatsva'   are designed and made by Abigail Hammond http://www.meledesign.co.uk

You can see some of her designs for Tavaziva Dance at the Victoria & Albert Museum in their Collaborators exhibition of UK Design for Performance, open until November 2008. http://www.vam.ac.uk/tco

'Chatsva' kicks off in Swindon on October 5th and 6th and will be danced by Samson Felo, Amanda Lewis, Lerato Lipere, Shelley-Ann Maxwell, Anna Watkins and Nicholas Watson.



Makwikwi  (to test/ contest)
“I based this work on the individual dancers in the company. They all have different training and cultures. I have taken advantage if this unique situation to create a vibrant, light hearted, humorous piece that shows off the dancers' unique personalities and backgrounds.“ (Bawren Tavaziva)


Pachedu  (“Don't tell me what to believe and how to live.“)
When people are persecuted in today's society they band together, become stronger, more patriotic and strengthen their beliefs and ideas. This piece is also warning others: “ Don't tell me what you think I should do or how I should behave; I know who I am.“


Mr Man
Exploring the abolition of slavery and new-found freedom, this powerful and contemplative solo, set to a haunting combination of cello and choir, was developed from a commission by Take Art! Somerset to mark the bicentenary of the 1807 Slave Trade Abolition Act. Inspired by the Somerset-based Romantic poet Samuel Taylor Coleridge's uplifting address against slavery, Mr Man challenges audiences to reflect on the real notion of freedom.


Last Word
Guest choreographer Thea Nerissa Barnes, former Artistic Director of Phoenix Dance and Rehearsal Director for the West End's The Lion King, sets her wittily engaging 15-minute duet Last Word on the Tavaziva dancers. Last Word features two dancers and a chair and is set to Philip Flood's engagingly deconstructed take on classic songs by the 1930's legendary performer Josephine Baker.
“A great company... their seamless blend of contemporary and traditional African movement, strikingly costumed and lit“
(The Independent, 2007)

“A tribal sense of combat, but also of ecstasy... intensely uplifting, enchanting and energetic, and typically demonstrative of the pure joy of dance“
(Dancing Times, 2007)

“Intriguing and deeply sensuous... nothing short of explosive“
(The Stage, 2006)